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© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Puberte
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Petit modele
Felicien Rops
1879
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
La greve II or La carbeniere or La charbonniere
Felicien Rops
1876
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Vachere
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Le moineau de Lesbie or Fouille d'Herculanum no.2
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Impudence I or Le miroir de coquetterie or Le demon de coquetterie
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
La foire aux amours I
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
La presidente
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Le theatre gaillard II
Felicien Rops
1865
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Le semeur de paraboles or La parabole du semeur
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Les quatre metamorphoses
Felicien Rops
1866
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Quatre petits poemes libertins or L'examen de Flora
Felicien Rops
1864
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Indolence or Etude de nu
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
L'union fait la force
Felicien Rops
1867
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Frontispice des oeuvres inutiles ou nuisibles
Felicien Rops
1879-1880
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Frontispice d'une suite oeuvre libres or Oeuvre leger
Felicien Rops
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Le vol et la prostitution dominent le monde
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Point de lendemain
Felicien Rops
1867
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Ma tante Johanna
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
La chrysalide
Felicien Rops
1876
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Le doigt dans l'oeill II
Felicien Rops
1882
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Ma tante Johanna
Felicien Rops
19th Century
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Oncle Claes et tante Johanna
Felicien Rops
1875
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey, 2015.
Les bateaux
Felicien Rops
before 1878