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© Michael C. Carlos Museum, Emory University.  Photo by Michael McKelvey.
Pendant in the Form of a Face with an Openwork Crescent at the Crown
© Michael C. Carlos Museum, Emory University.  Photo by Michael McKelvey.
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey.
© Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey.
ClassificationsAfrican Art

Pendant in the Form of a Face with an Openwork Crescent at the Crown

Dateearly-mid 20th Century
Credit LineMuseum purchase
Dimensions3 3/8 x 3 3/8 x 7/8 in. (8.6 x 8.6 x 2.2 cm)
Object number2006.028.004
Label TextThe big men or "kings" of the various cultures of the Lagoons region of coastal Côte d'Ivoire have, since at the least the 17th century, displayed their wealth in the form of gold pendant ornaments and figurines made using the lost-wax casting method. Gold pieces were accumulated by families, with additions made by aspiring social climbers who, as the Ebrie say, "add to the family chest". Recognition of wealth through annual public "exhibitions of gold" is required for those wishing to become an age-grade official or village head. The objects are either laid out on a table for inspection or strung together and worn around the neck or in the hair of men and their female family members.
The imagery on the pieces reminds the viewer of the supernatural qualities assigned to gold; the faces of the ancestors, whose spiritual powers protect the big man's treasure are often depicted. Crescent-shaped pendants evoke ram's horns, a symbol of strength, here paired with the bearded face of a big man.
Exhibition HistoryMCCM Permanent Collection Installation, November 19, 2007 - December 1, 2014
MCCM Permanent Collection Installation, September 18, 2017 - June 6, 2022
ProvenanceEx coll. Paul (1900-1996) and Ruth (1905-1999) Tishman, New York, New York. Ex private collection, United States. Purchased by MCCM from Sotheby's New York, May 9, 2006, lot 43.
Status
Not on view
Collections
  • African Art