<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://collections.carlos.emory.edu/internal/media/dispatcher/30316/full</value></field><field label="Title" name="title"><value>A Harlot's Progress, Plate 3</value></field><field label="Date" name="displayDate"><value>1732</value></field><field label="Dimensions" name="dimensions"><value>18 5/8 x 24 1/8 in. (47.3 x 61.3 cm)</value></field><field label="Medium" name="medium"><value>Engraving</value></field><field label="Credit Line" name="creditline"><value>Gift of Dr. Robert P. Coggins</value></field><field label="Object number" name="invno"><value>1977.003.026</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Emory students Eveleigh Wagner and Courtney Von Stein worked with consulting paper conservator Elizabeth Schulte to clean six prints of &lt;i&gt;A Harlot’s Progress&lt;/i&gt; by British artist William Hogarth. As acid is gently washed out of the paper, the prints become brighter and more stable for long-term preservation. The bathing process illustrates Le Chatelier’s principle, demonstrating the effects of temperature and concentration on pH. &lt;a href="https://www.youtube.com/watch?v=ySz9N5xtWCg&amp;feature=emb_logo"&gt;This video&lt;/a&gt; describes the process.</value></field><field label="Classifications" name="classification"><value>Works of Art on Paper</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Depth" name="depth"/><field label="Id" name="id"><value>548905</value></field><field label="Source ID" name="sourceId"><value>20342</value></field></object>