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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>https://collections.carlos.emory.edu/internal/media/dispatcher/30316/full</schema:image><schema:name>A Harlot's Progress, Plate 3</schema:name><schema:dateCreated>1732</schema:dateCreated><schema:creator>[com.gallerysystems.emuseum.core.entities.RecordXPerson@c711]</schema:creator><schema:creator>com.gallerysystems.emuseum.core.entities.RecordXPerson@c711</schema:creator><schema:artMedium>Engraving</schema:artMedium><schema:description>Emory students Eveleigh Wagner and Courtney Von Stein worked with consulting paper conservator Elizabeth Schulte to clean six prints of &lt;i&gt;A Harlot’s Progress&lt;/i&gt; by British artist William Hogarth. As acid is gently washed out of the paper, the prints become brighter and more stable for long-term preservation. The bathing process illustrates Le Chatelier’s principle, demonstrating the effects of temperature and concentration on pH. &lt;a href="https://www.youtube.com/watch?v=ySz9N5xtWCg&amp;feature=emb_logo"&gt;This video&lt;/a&gt; describes the process.</schema:description><schema:artForm>com.gallerysystems.emuseum.core.entities.Classification@ae</schema:artForm><schema:url>https://collections.carlos.emory.edu/objects/20342/rdf</schema:url></schema:VisualArtwork></rdf:RDF>