Skip to main content
ClassificationsAfrican Art

Helmet Mask (Bondo)

Place CreatedLiberia, Africa
CultureGola
Dateearly 19th Century
MediumWood
Credit LineEx coll. William S. Arnett
Dimensions16 3/8 x 7 15/16 x 10 in. (41.6 x 20.2 x 25.4 cm)
Object number1994.004.090
Label TextThe Sowei mask is used by the women's fellowship called Sande, in Sierra Leone and Bondo in Liberia. Sowo is one of the few African mask types performed by women. Worn by the highest members of Sande/Bondo, the masks are paraded as part of a young girl's initiation when she is instructed in responsible womanhood. The mask is the idealized Sande/Bondo woman realized: the forehead is broad, indicating a poised woman ready to face any challenge. The facial features are small, with a closed mouth and downcast eyes to denote modesty and respect. The ringed necklines are a sign of health and fecundity. Neat, ridged, and lobed coiffures embellished with intricate patterns of hair braiding are a mark of discipline, order, and beauty. Though the mask represents feminine beauty, during the coming-of-age ceremony Sande/Bondo initiates are referred to as the brides of a male water spirit who is spiritually present in the mask, hence the mask's dark, shiny (wet) color. The incised X marks on the cheeks refer to the Poro society, the male counterpart to Sande.
Exhibition HistoryMCCM Permanent Collection Installation, July 19, 2003 - March 13, 2007
Divine Intervention: African Art and Religion, Michael C. Carlos Museum, February 5 - December 4, 2011
ProvenanceEx coll. William S. Arnett (1939-2020), Atlanta, Georgia.
Status
Not on view
Collections
  • African Art
© Bruce M. White, 2010.
late 19th-early 20th Century
© Bruce M. White, 2010.
20th Century
© Bruce M. White, 2010.
late 19th Century
© Bruce M. White, 2006.
late 19th-late 20th Century
© Bruce M. White, 2011.
late 19th-early 20th Century
© Bruce M. White, 2006.
late 19th-early 20th Century
© Bruce M. White, 2008.
late 19th-20th Century