ClassificationsAfrican Art
Helmet Mask
Place CreatedOgoja, Nigeria, Africa
CultureUkelle
Datemid 20th Century
Credit LineEx coll. William S. Arnett
Dimensions27 1/8 in. (68.9 cm)
Object number1994.004.686
Label TextThis white faced helmet mask with complex superstructure is possibly the work of Ukelle artist Thomas Lukpata. Lukpata lived and worked in the Ogoja region, home to several mixed-ethnic groups that were formed as a result of a long history of local conflicts and migrations from the south. These ethnic integrations led to the sharing and exchange of mask carving styles and forms as reflected in this mask. The helmet form, the concentric target marks on the temples, the hairstyle, and the use of leather to cover the face of the small female on the superstructure are typical of Ejagham, Boki, and other Cross River art styles found to the south of Ogoja. But the white face and the addition of a complex tableau, here featuring an African woman and two male colonial officials are typical of Igbo masks like the "maiden spirit" masks made further to the west of Ogoja. Exhibition HistoryThree Rivers of Nigeria: Art of the Lower Niger, Cross, and Benue from the Collection of William and Robert Arnett, The High Museum of Art, Atlanta, Georgia, 1978
Art of Nigeria from the William S. Arnett Collection, Michael C. Carlos Museum, October 15, 1994 - January 2, 1995
Published ReferencesMarcilene K. Wittmer and William Arnett, Three Rivers of Nigeria: Art of the Lower Niger, Cross and Benue (Atlanta: The High Museum of Art, 1978), 77, number 181.
ProvenanceEx coll. William S. Arnett (1939-2020), Atlanta, Georgia, by 1978.
Status
Not on viewCollections
- African Art
19th-20th Century
late 19th Century
20th Century
20th Century
20th Century
late 19th Century
20th Century
late 19th-early 20th Century
20th Century
1630-1540 BCE